This retrospective monograph documents the career of director Chantal Akerman (born 1950), who made her breakthrough in 1975 with Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, a film about the everyday activities of a housewife. Her work since then has continued to investigate ideas of biography, gender, identity and memory.
Minor scuffs and wear along the edges of the book from shelf life, otherwise it is in good condition.